One might reasonably ask if the Emmy award–winning documentarian Irene Taylor’s new movie – an expansive investigation into how people and trees coexist – is most fundamentally a movie about people via trees, or about trees via people? For Taylor, the answer is typically unconventional – it’s actually neither; it’s a film that, as its title suggests, is about entanglements. …Mostly based in the Pacific north-west of the United States and Canada, the film’s central characters include George Weyerhaeuser, who transformed the family timber empire with a model of harvesting trees that has caused severe environmental damage; Ryan Neil, one of the few Americans to master the Japanese art of bonsai; Beth Moon, a photographer who has gained worldwide acclaim for her masterly large-format prints of trees; and Dirk Brinkman, a force for reforestation for over 50 years.